3/31/2024 0 Comments Artistic licence engineering ltdThis was probably the busiest trade show we’ve done in five years.” There was a real sense of “we’re in this together” and everyone was excited to be back. Wayne Howell of Artistic Licence says, “We were absolutely delighted to have exhibited at such a successful show. Elsewhere, Artistic Licence launched candlePower octo at the show, displayed alongside the new Commissioner multi. Astera debuted three on the Ambersphere Solutions stand, picking up a prestigious PLASA Award for Innovation for PixelBrick. All our staff spoke with high quality visitors and relished the opportunity to establish connection again face to face.”Īvolites celebrated its 45th anniversary at the show with company’s new flagship Diamond 9 console taking centre stage. Theresa Gibson, Head of Marketing for Robe, comments, “The commitment Robe showed to PLASA as headline sponsor of this year’s show was well and truly equalled in delivering a great event and uniting the industry again. ![]() The show’s headline sponsor Robe dazzled attendees with its recently launched T2 alongside previews of the T11 and the TE – Transferable Engine. Promoting wellbeing further, Backup launched their Mental Health First Aid course at the show, and Mig Burgess, creator of the Blackout Installation of 2019, returned to present findings of a survey looking at mental health in the industry. ![]() The #WeMakeEvents Hub featured several charities and initiatives including Backup, Acting for Others, #MakeitBlue, Music Support, Stagehand, The Back Lounge, Theatrical Guild, Tour Production Group and We Need Crew. The people of the industry were just as high priority as the products this year, with areas of the show dedicated to offering guidance. The three days proved to be fantastically successful in providing an opportunity for suppliers, service providers and practitioners to get back face to face and resume the essential art of conversation.” Robin Townley, CEO of the ABTT, comments, “Locating traditional ABTT exhibitors within the Theatre Show Hub offered a great sense of community and it was tremendous to see so many members of the Alliance of Associations & Professionals in Theatre and Live Events making use of the AAPTLE Lounge. The ABTT Theatre Show Hub – which featured theatre-specialised brands and associations – centered around the AAPTLE Lounge where meetings looked at emerging industry issues. There was networking of course, but also a genuine desire to see new products and technology trends.” Understandably stands were smaller than previous years but it still felt like the PLASA Show. Nick Boggon, Marketing Manager for Sound Technology, adds, “We probably weren’t alone going into the show not knowing what to expect, but those concerns didn’t last long. Yes, the show floor was smaller this year, but the atmosphere was bigger than ever.” This show certainly exceeded all expectations we had. Lee House, Marketing Manager for Ambersphere, comments, “When the doors opened on Sunday it was great to see so many people coming through them. Theatre and touring were most prominent with one third of those attending working in production or venues.Īnticipation was high as the doors opened, with a steady stream of visitors keen to check out the next generation of products and catch up with colleagues. ![]() However PLASA Show 2021, along with the ABTT Theatre Show which co-located for one year, succeeded in reuniting the industry for three high spirited and productive days in Olympia’s Grand Hall.Īlthough the number of attendees was reduced, they remained top quality and similar to previous years: 2/10 were company owners or directors and half were specifiers or final decision makers. As the first entertainment technology trade show in two years, there was a level of risk involved. PLASA Show returned to Olympia London from 5-7 September, receiving high acclaim and marking a return to normality following the 18 month closure of the live sector.
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